Introduction: not bad, but too weak compared to other intros. Maybe cause that's indeed an intro and not a really short song like what we had for second session, Black Cherry and TRICK. It's okay.
HUSH: It came out almost an year ago but I still LOOOVE it to bits, so bold and energetic. That's great cause I can't imagine mid 2000s Kuu singing to this, it makes me so happy when she hits it right with her new sound.
Dangerous: The ''na na na na'' parts are sooo good, and the verses as well, just wish it was a bit less dubstep-ish cause it made the song sound a bit dated to me. But the energy here is also great!
WATCH OUT ~DNA~: Well it's really well produced but too over the top to me and too repetitive. Skippable when you're halfway through
ScREeaM: Better than the preview but it didn't click that much with me, and being in the middle of WATCH OUT and CHANCES ALL I just feel like also skipping this sometimes. I think it'll grow in me after some time tho
CHANCES ALL: Also a bit repetitive, commented on that before. Not bad, just doesn't seem to go nowhere. Gimme a remix on DH9 or an acoustic guitar performance on the tour pls
Aenaku Naru Kurainara: Looooove this, her voice sounds so sweet yet powerful, can't wait to see her doing it live. The slow piano makes me wonder if she's gonna attempt at playing it once again in a tour, wish she would.
HAIRCUT: Now from here on the album just takes off lol I loved this since the preview with AND, the beat is great and it's really catchy!
Guess Who Is Back: Even better in full, another song full of energy, and so unique in her discography especially since Bon Voyage!
HOT HOT: yaaaas all over the runway <3 Love the verses, she sounds so sexy, and in the chorus her deep voice is just so good. The instrumental with the latin-esque instruments also brings a nice uniqueness to this amongst her recent songs.
Kokoro kara i love u: AMAZING ballad, so glad it's not generic as another Ai no uta, there's something "mature" about this that I also sensed in Yorokobi no kakera, and I love this direction for her ballads. It fits her voice SO well. Could have been a succesful song if it were a single tbh.
Work That: Love love love, nice pop song with an ero-kakoii vibe to me!
Pin Drop: While I feel like not a good last song for the album cause it gives a vibe of "I want more", that vibe also makes the song so great lol There's some boldness to it I love so much

Introduction: I really like this intro! It reminds me of something Matt Hill would do and I approve! Plus I think it really sets the mood for the whole album.
HUSH: Well produced song, which totally deserved to be a single. Just like in HOT HOT later she uses quite sensual, aspirating vocals in some parts. I really think in mood and style HUSH and HOT HOT work very well together, HUSH leading to HOT HOT.
Dangerous: It's a pretty complex song and I'm quite astonished Kuu composed the main parts. I don't really like her other two composed songs much. But this one works so well, spreading energy, but also has parts creating a rather dark atmosphere. I'm sold. If she creates such great songs with the help of Kenji she can go on with that!
WATCH OUT ~DNA~: The track I don't like that much, though it does work in the context of the album here. And in HQ it has some really great grungy beat going on I dig. So when listening with headphones I don't skip it because of that beat, hahaha. Like I said earlier I appreciate what she wants to do with it, also setting a bridge thematically to the next song.
ScREeaM: Musically this track is awesome, another complex song! Also like the theme of the song which climaxes in her singing "It's ok to be afraid". Too bad the chorus is such a fail lyrically.
CHANCES ALL: The song makes so much sense coming after ScREeaM, a song about fighting everyday in daily life! Here she sings about how she herself fights everyday to be happy in this world. The rainbow is present in both songs, too. ;) And even though it misses a proper climax I really enjoy this song. The lyrics are great, too.
Aenaku Naru Kurai nara: Her vocals compliment the classical arrangement very well in this song. And they're pretty soft as well. It just works for me.
HAIRCUT:A song with a quite advanced sound and lots of layers going on, which makes it very compelling listening to it with headphones. Her different vocal approaches from rough to soft makes it also interesting. And I like the lyrics. Overall just well produced.
Guess Who Is Back: The hardest rock song she ever did! That guitar part towards the end is love! She said that the anime team requested a "mixture rock song" from her and she immediately thought about her husband and TEEDA as it's their specialty. Well produced and unique for her discography.
HOT HOT: Unusal structure for the song and I like that. Playful lyrics, accompanied by deep, sensual vocals. And catchy. Awesome and very fitting for summer like she intended to.
Kokoro kara i love u: This ballad evokes the feeling of already knowing it. In the sense like I would feel like knowing a person forever already even though I've just met him or her. Do you know what I mean? :laugh A comfortable feeling. Vocals are awesome here. Fits to some of the great ballads on W FACE inside being in the same style.
Work That:Some say the electronic sound is dated, but I never cared much about something sounding dated. The very cute vocals surprisingly fit the song, though I admit I had to get used to it. A combination of cute vocals and a western, "serious" sound is interesting and makes the cuteness bearable. It's also quite different for her discography.
Pin Drop: This is the biggest surprise for me! I liked the preview, but the song is so much better and evolving differently than I imagined it to be. I simply love it. The "don't give it up" background chorus and the accelerating part directly after give me goosebumps. And the tone she sings in sounds very comfortable for her. Considering it's a live performance song, I really can't wait to see her tour performance for it!

Overall an album that works and like others said bring together what she has done earlier in her career and experimented with in recent years. She definitely accomplished what she wanted to do with it, compiling the Koda Kumi sound while giving a further direction for the future.
Sound and especially also her vocals are well produced overall.
From HAIRCUT till the end it's pretty flawless to me.