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ayu is their most profitting female artist for 1999-2005 and 2008-2009 (and might be this year as well). She is like one of the top selling (overall) artists every year. They are still riding on this horse since it's their best bet. |
^^Wasn't ayu responsible for almost 50% of Avex's revenue at one point?
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Also, they (avex) don't try to make her less important. They still and will probably always try to make the best out of her along with the others. She naturally became less "important" since her peak each year, like kumi since her own peak. |
^Yeah, they do xD Even the release of A Best was they trying to end her peak, make the most money of it and get another new face as soon as possible...
In the end of the day, what does Avex lose if Ayu doesn't break Seiko's record? I can see where does Ayu lose (and still, not that important), but I fail at seeing what does Avex lose... But I can see what do they win putting 2 of their biggest starts to debut a single on the same day (they have a good chance of getting rival fanbases buying singles like there's no tomorrow), and I can see how can they take advantage of the end of her streak... Good for them she is a major selling force, but what company wants to depend on only 1 product? |
I hope Ayu will get #1! 好きで、好きで、好きで。 is being quite successful (it's been in 着うた® top 5 since it came out), while crossroad has flopped... No doubt it's gonna be a tough competition for the top spot :yes
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Ironically though, I am... which was released after A BEST is the album with most singles (taking out re-cut ones or 2nd with re-cuts). most of her albums since then were pretty invested to. And all of those years when they worked really hard keeping her streak up. |
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And really, we can't really know how much of what happens is made by Ayu and her staff, Max Matsura inside Avex or the entire Avex... we only saw the numbers, but in the end of the day, we have no idea of what (or who) caused them Over the years she also got her number of songs reduced on A-nation (and they gave her more songs again after that) for example... Of course they are not going to shot her on the head just to get rid of them... and considering I am... it's her album with the biggest impact on Japan, considering that even if Duty it's her best selling, I am... has the most singles and it's her album with the biggest amount of her signature songs... ironically, when they tryied to end her peak, they caused it instead xD |
I'm quite nervous still because of the JYJ situation that popped up 24 hours ago...
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Even if crossroad is a sweet song I actually think (for the first time) that Kuu have a better one with 好きで、好きで、好きで. But I will keep my fingers crossed for Ayu. Kuu can get the 1# spot later on when herself is on a streak or something. :P Lol.
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Something like ayu+ai ayu+kumi, ayu+EXILE (excluding namie since her management is Vision Factory). It's like they will always ride on the ayu "horse" while they will also invest in someone else or try to bring someone fresh and new. kumi for example joined to that since 2005. |
^I would find it easier to believe if there weren't so many magazines calling Otsuka "The New Ayumi Hamasaki" when Planetarium got big at first xD
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i hate that many people still think that avex control MW sales...
for me it's not avex that control it... but the japan fanbase, i believe when they know that MW is in danger, i think they unite and maybe buy 2 copies per person...and it's logic that she got high sales... don't underestimate the power of japan fanbase... that's my opinion... |
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Not a DBSK/JYJ fan by anymeans but bringing them up is sort of relevant since the suspension of activities announcement. Who knows if their fans will start buying their stuff like crazy; its unlikely but who knows. Anyhow, don't forget that Avex is relying on DBSK fans aswell to buy crossroads. The sudden increase in preorders upon the anouncement of JJ's involvement is proof. Quote:
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I want to believe Ayu's Japanese fanbase to help Ayu to be no. 1 on top chart with the 2 new singles! |
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