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I'd like to defend Exodus as a quirky little album with a certain charm. Sure the producion was a bit awkward at times and some of the experimentation fell flat, but there were also glorious moments where it all came together: Kremlin Dusk, Animato, and Hotel Lobby are probably better than anything on this album, in my opinion (though I haven't listened it to death yet haha). But I think TITO is more consistent.
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