Quote:
Originally Posted by ayumisrael
But jidai means era/period.
Unless if you say that she wouldn't use the direct translation to Japanese. xD
We got to the randomest discussion in this thread lol.
Anyway I've been thinking that RED LINE ~for TA~ might not be a song about the red thread of destiny.
Maybe it's wrong but it could be a song about something different which would be, red lines. Like limit yourself to only things you would do or do things until a limit (like "I've got my red lines..."). and the ~for TA~ must suggest that she made that song for TA's request as of late that wished her to write and make more songs.
It could also explain why it is a RED LINE and not RED THREAD and if it will be up-beat or rockish then it will add to it but not neccesarily.
It really depends on the lyrics.
So there are those 2 options.
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That's a nice point. You could be right!
Quote:
Originally Posted by emiko
She should just start making all her titles in French.
Just for the hell of it.
let's see...what else can we discuss negatively about....
oh. I really hope she decides to pull in some new people, like especially new arrangers. I mean, who the hell arranges Sunset like that, to be, pretty much Sunrise, just with the tempo slower. I mean, I could have done that in Adobe Audition in like 2 seconds. wtf Ayu.
Were they the same people who did Next Level? Ew. I hope not. What a sad recent portfolio to have if they did.
In other discussions, do you guys think she'll bring back the composer? I don't think I mind him as much as those lazy arrangement people. And it was so nice to have a song like Sunrise (composition-wise) compared to...
well...the you-know-which album...
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Haha. CMJK arranged I believe who also did arrangements on I am... (opening Run, Naturally, still alone, Endless sorrow ~gone with the wind~), RAINBOW (everlasting dream, Real me, HANABI, everywhere nowhere) the arrangements of RAINBOW and Who... from A BALLADS, ourselves and forgiveness on Ma.
But he started doing a lot of arrangement since MY STORY...