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I cursed? You mean the word "ass"? I'm not five, I will use the word that I'd use in actual conversation to describe what I mean.
Look, I love Ayu just as much as the next guy. She's my favorite artist, but I don't think she's perfect, and I definitely don't think she's always putting her best forward, particularly in her recording in 2009. I mean, after 10 years of perfection, a little slip up is okay, it's not good and I'm totally allowed to complain about it, but with You were.../BALLAD her spark seemed to have come back, and then she's put SO much work and effort into this album, how it can be anything but perfection is beyond me. But by the sheer fact that she rushed out NEXT LEVEL, when she proved this year if she REALLY wanted to, she could have had that release pushed back, just shows me that there wasn't as much effort as you seem to believe there was in it
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You called Heidi a *****.
She's not perfect. But I feel that making up excuses about NEXT LEVEL being "rushed" = "terrible" is one of the worst reasons for a release being "bad". It's like... people thought Secret was incredibly rushed and that was why it sucked for many of them. However, look at Secret now. It's on the top of many people's favorite album lists and no one really cares about how much time that it took for her to finish it because they love the album.
Something so trivial as the amount of time spent on an album should not influence the opinion that you have towards the album unless somehow it's audibly apparent that the record was rushed, when in Ayu's case, I think that her so-called rushed works sometimes turn out better than artists who spend years on an album...
Call me blind if you want, but based on what I have seen, I'd rather be blind than be like the bitter people who are supposedly able to "see" the truth about Ayu.
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And again, we all know she had a whole other ballad planned out, but then decided against it to record Sunrise~ballad version~ with slightly different lyrics. I dunno, the whole one melody two songs thing has ALWAYS struck me as lazy. When Kuu did it, I thought the same thing.
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The other ballad was probably terrible and would've been a disaster.
The one melody/two songs thing is weird, but for this case, it is like a sister-song/question-answer dealio where the first song and second song are like lovers talking to one another a la LOVE FOREVER/FOREVER LOVE, Koko ni iru yo/Soba ni iru ne, among others. Unlike some other artists who do this, it is completely different due to the differing natures [ballad/upbeat] of the tracks. I feel as though they are both very good standalone tracks and both deserve their places in the album. It's as though she did her own sort of answer song thing, and unlike the artists who collaborate, she cannot simple put one on the album, and save the other for another album.
I feel as though some people mistake friendly conversation as though there's some sort of hidden agenda behind someone's words sometimes... or maybe that's just me.