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in this quiet and deep/creepy-like tone
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I think maybe "ever free" and "monochrome" are the two most noticeable previous efforts where she attempted something a little similar to what you're describing? "ever free" does have its high notes, but she's also very quiet in verses, and like she's sing-talking at parts. "monochrome" has a similar, monotonous feel throughout. That might be intentional, given the nature of both songs. Still, I also noticed this shift you're describing for those particular parts of the song -- it's like what she's describing is meant to be more direct, blunt, or stronger? It's hard to describe. I just feel like those two parts of the song are more like she's talking to us instead of singing.
o_o Sense, am I making any?