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I can't deny she's keeping it quite safe (if you don't count TOUCHDOWN -which a lot of people disliked anyway- and SHOW ME YOUR HOLLA).
I think what she's doing is standard Kumi stuff, and, you know, somebody's bound to like it, somebody's not. People like me, since I'm not overly concerned with sound evolution and I'm not really picky either, have more chances to enjoy it. I guess.
Apart from finding everything well made, I'm just into the songs. And, after JAPONESQUE, which I found AMAZINGLY GOOD, Bon Voyage till now feels simplier and fresher.
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