Quote:
Originally Posted by orbitalaspect
Party Queen
The real fall started with Party Queen. It wasn't Tim, and it wasn't the shake up of her dancers around that time. It was that PQ had no singles prior to its release. It was that PQ was--and even still is today--the most inconsistent record Ayumi has released. How someone came up with the idea of putting dance-pop, electronica, rock, hard rock, R&B, dubstep, cool jazz, swing jazz, and classical music into a 14-track album with no singles, no live performances, and only one digital single is beneath intelligent planning. It is the Daybreak of her albums; the album that we can all find a good song or two on but ultimately have to facepalm when it comes up in casual conversation. (We were all shocked when GUILTY hit #2, but GUILTY was and remains a solid example of Ayumi Hamasaki as a person and an artist.)
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How comes that the meaning of consistence on an album is defined by the number of live performances and singles? With that definition the last album of BoA that contains 100% single songs and no new songs is REALLY CONSISTENT?
lol, your comments are ridiculous to say at least
Party Queen was THE album that called my attention to come back to ayu after 2 years (Secret) It really bring something NEW at this point of her career that she has 200 songs that sounds the same
so go f*ck up someone else music please