Quote:
Originally Posted by Coelacanth
The arrangements on R'n'RC were bizarre too. To have no session musicians and programmed drums instead on the rockier tracks (count down/Last Links) was a huuuuge crime imo.
NEXT LEVEL was mixed wonderfully, I thought.
the bass on identity > Rule > LOVE 'n' HATE, holy moly. polished as phuck.
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The bass can be attributed to mastering more so than mixing.