Quote:
Originally Posted by Andrenekoi
^Do you really think the number of people out there working for her to make everything work is lacking? The Cirque de Minuit by itself needs more people working on it than pretty much the whole year of a big japanese popstar...
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Her tours are another story. There is no doubt they are high-end productions, but her release patterns and concepts and designs and team behind the material itself is lacking.
Additionally, cirque de Minuit is two projects rolled into one (CDL + Tour). Of course, changes have been made, and continue to be made, but there is no doubt that doing it the way she is doing it now saves time and money on production costs.