Quote:
Originally Posted by ahtka-chan
Koda Kumi is an amazing example for that. She's under rhythm zone, a sublabel of avex. Since there's few artists there, she has a bigger budget for her projects (that's why her concerts generally have a good infrastructure and etc). Namie was also like that before she moved to her own label.
Being in a sublabel can be an awesome thing.
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It doesn't work like that, there are artists like Anna Tsuchiya and Nanase Aikawa who gets their very own label inside of avex (MAD PRAY RECORDS and motorod respectively) and they don't get nice budget for their productions.