I just can't imagine what our faces would look like if hikki releases a song about a guy licking her o-o-o-...
I don't have any specific want from hikki, probably because I trust that her music can't be bad. Of course I'm quite surprised the direction she goes this year, but I have faith that her next album will be as good as, let's say, HEART STATION at least (and I like HS more than UB...).
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Originally Posted by Andrenekoi
Well, she stayed away for years, so, it's natural she comes back safer so she can regain her public.
But it doesn't excite me either. Fantome is good, but it's also Hikki's album I listened the less
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I actually can't decide whether Fantôme or DEEP RIVER is the best album. Probably I would pick DR for sentimental reasons, but Fantôme should be really close. And I don't think Fantôme is "safe". (Hmmmn how should I say...) Before Fantôme, all of her albums were not about herself. She mostly wrote lyrics in someone else's (or a third person's) perspective instead of her own self. Through Fantôme I can actually see part of her "true" emotion (about her mother's death, what her life is after that incident, and her vulnerable feelings towards her late mom). Also, I really appreciate her vocals in this album. I think her hiatus is pretty worth it (even though we all suffered from absent hikki's songs for the past 6 years (except Sakura Nagashi).
Quote:
Originally Posted by Baco__
I get the same feeling. even though I liked everything she has released so far, anata is the one I'm looking forward the most. Forevermore sounded like she was going for something not as safe, but in the end I found it to be safe as well. The MV is on another level, though, not safe at all for her standards imho. I guess most of you put anata in the same level of her previous two releases after fantome, but I don't know... it sounds different to me? uahuhua
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I do think Anata will be more dynamic than Forevernore, which (I agree that) sounded unsafe, but yet another safe release after Oozora.