Quote:
Originally Posted by truehappiness
Then what does? She has had output that is just as strong as some of her older tracks on recent albums but it’s often disregarded due to simply being newer. This has happened with basically every Ayu release after I am... then people come around on the newer stuff like when a large percentage hated RAINBOW back in 2003. NEXT LEVEL also had to deal with a large amount of negative reception until lit had been out for a while.
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I believe Ayu's output from Memorial Address to Guilty, the time spam a lot of her overseas fandom was formed, was pretty safe and low risk. As she started experiementing again, people tended to mistake not liking something at the first listen to disliking it, and some of her work actually needed time to digest.
Starting from A One, her sound became safer again, and people warmed up a little.