Quote:
Originally Posted by SunshineSlayer
I tend to not think of it as going back quite that far, but maybe you guys are right. I remember the first track that it really screamed out to me was Party Queen itself. It was just soooo flat. And that continued for the next few albums. Then I thought Made in Japan got a lot better. Then it got worse again. Really, really weird. I also agree with truehappiness that this at least doesn't sound as bad as the Party Queen/Love Again era.
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In the case of "Party queen" specific track, it's clear for me it was intentional. The whole atmosphere of the song is build to emphasize the feeling of "void" the album wants to imply. That "rose-coloured" and "golden" vibes are awkward and totally fake and that's why I really like that "emptiness" of the arrangement.
The mixing of the album isn't superb, of course, but in terms of artistic choice, I think I get what she was trying to convey with that album-opener track. It's like when you're so drunk (or high lol) that the sounds around us are getting blurred and empty, representing the sadness within her at the moment, even if she was partying hard.