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better grammar version of Altavista/readable version:
With 2 month continuational release, the single of the Hamasaki Ayumi which is done for the movie ' SHINOBI ' (from September 17th nationwide released) subject song. You did all things for she who runs for 7 years as the artist by all power, you thought with this, it's also exhausting, but the movie subject song writing (lowering where how this becomes first). Because of that, it included in this tune, "shout it is" it is not Hirotune. First you should hear it. And should feel it. It's sure that your opinion on ballads will change!
The introduction which gives a bit of a star feel. Communication is with the sky. This is a message to the person who keeps returning to the sky. Color "it divides and" into "HEAVEN" the shadow densely drifts, "loneliness" of the protagonist has started projecting.
This song has the situation that the protagonist loses the person whom she loves with "death" without being limited to number. It is old and Tikako says "stage of the star rubbish" of チェッカーズ and Sawada "it would like to meet," is, recently Hirai hard "closing the pupil," and so on probably is the "typical" number. Because the drama, "end" exists there, the listener can share that drama, the impression is born, and the tears overflow.
If it becomes also subject song of the movie, all the more it is. In order to push useless in the place where the story completes, it strikes an impression and trembles, the fact that it flows is the "main theme". If the tune pitch is dramatic, to a certain extent, the person the ruminantia (is inhales the story) to do, the body is entrusted to the tune. If a rough expression is done, the subject song is possible and with squeezes the tears with a lot of possibility; it puts out the fact that you take conversely everything, also it gives the impression that a smash is possible.
' SHINOBI ', the successor of two large powers of the patience where Iga and Koka are hostile, without knowing the standpoint, it encountered, fell in love; but it caused for the sake of tragedy, of fate. It is Romeo and Juliet and "Titanic". It seems like "Jack" and "Rose" (from Titanic). Because it understands that tragic conclusion waits there, everyone cheers to the sweethearts of tragedy.
Not to mention as for placing music under such a circumstance: it is the difficult industry, you can call her professional nature admirable.
Through all compilation, Hamasaki Ayumi sings the piece in indifference. Furthermore, an image is made to expand; not to be, you are filled with a feeling, as held down even when Hamasaki who sings isn't. If it was compared to a color, it is a faint monotone, "red" of passion and sadly straw raincoat "blue".
With her vocal power, you would expect such expression; but why not doing it so boldly? It is no more than a private impression that fades altogether? There are no times when quality is dropped with this singing, as a Theme song (to SHINOBI). On the other hand, if it is sung too dramatically, , it probably is to keep leaving from the position, which the story of tune and the movie assimilates, "work of Hamasaki Ayumi".
The selection that was taken, it utilizes the movie by the fact that the "extreme color" is not acquired, utilizes itself in one word: "HEAVEN". The technique by the fact that the hand is giving color, the "density" of tune changes, is the extent which is too vivid.
With the "hearing hand"; the impressional ballad is built up. In the unexpected characteristic and success, without feeling Hamasaki's クリエイティヴィティ and the height of her control ability for music, you do not enter.
(Sentence: Rice field well Yutaka correcting/rule)
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