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| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
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#1
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Why did they have a different track order anyway? |
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#2
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Living her life just in the moment, falling in love (PARTY - GOT ME GOING') realizing, that she was dependent on a man and society (WHO), breaking up and trying to cope with it (OUTTA MY HEAD) getting on track again (NEVER ENOUGH - ALL RIGHT), having it processed finally (BRAIN) and being the master of her own life in the end and not following society's rules (IT'S MY LIFE). Imo it's the closest she's ever been to a concept album.
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Last edited by Corvina; 3rd March 2018 at 08:26 AM. |
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#3
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AAhhh, this is an interesting look at it. Are there translations out already that we can dissect to see how thorough this concept could be? |
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#4
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-------------------------------------------------------------------- Time for a Spotify update! Last statistic: Quote:
01. Ai no Uta - 605,218 02. Moon Crying - 243,153 03. Ultraviolet - 193,372 04. Cutie Honey - 183,540 05. you - 153,160 06. W FACE - 139,597 07. Suki deshite - 134,751 08. TABOO - 133,275 09. Suki de, suki de, suki de - 124,969 10. real Emotion - 116,522 11. HUSH - 115,086 12. Yume no Uta - 111,487 13. Stand by you - 107,140 14. Wicked Girls - 102,401 15. Koi no Tsubomi - 99,996 16. Butterfly - 91,216 17. LIT (single)- 82,928 18. Yorokobi no Kakera - 81,041 19. Chiisana Koi no Uta - 79,516 20. Kimi Omoi - 76,140 (March 04) It's pretty insane with Ai no Uta. Since end of December it's charting on the daily Spotify Japan chart pretty much everyday. (and I still wonder why it's so popular among the Japanese)
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| koda kumi, queen of live |
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