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#1
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sorry but the term "influence" is a "WIDE" word, and her music definitely doesn't sound like Vivaldi, Bach or Haendel (barroque musicians) and maybe ayu now is learning to open her throat and leaves behind her nasal tone. but let's face it, her voice coupled with classical instruments only sounds like a swan squawking in the opera. Last edited by perfectodub; 23rd November 2012 at 05:48 AM. |
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#2
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If you don't like it, that's fine, but acting like bringing stronger influences in for rearrangements will not work/destroy the songs is a very, very limited, ignorant and elitist view.
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#3
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if you think that slap the old vocal tracks into new classical arrangemnt it will be a good quality classical product... just go for it Last edited by perfectodub; 23rd November 2012 at 08:36 PM. |
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#4
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I am like, legitely getting angry over how many people want to strip what makes certain songs so great and hear a classical version of what is not meant to be... Lol, and I don't know why.
Sparkle: What makes this song good is the production. That heavy synthesizer. Who would prefer a classical version over the original? It'd be such a waste. is this love?: No, the guitars make this song what it is. Mirrorcle World: ![]() Songs I wouldn't mind that have been mentioned: Sending mail Microphone (although the original is flawless, I guess I could see this one being ok. |
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| Tags |
| 浜崎 あゆみ, 浜崎あゆみ, 15th anniversary, a classical |
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