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· Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
#141
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I love you right now for writing this LLLLOOOLLLL
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I used to go by Nalini-dahlia. ![]() |
#142
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Lol, to be fair, we'll take what we can get!
Last edited by mi|kshake; 20th March 2019 at 10:54 PM. |
#143
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If only they (finally) released A BEST 3 (and throw a never released song or two on it) and she had another two-year tour around this theme, making the most of her 20th Anniversary for the third consecutive year. I guess touring with TROUBLE again is what makes it difficult to digest and it sounds like it could be quite easily to solve by simply getting a new name or reusing another concept.
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#144
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Updated:
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#145
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^ EGG IN TROUBLE is an epic win! Hardcore electro-rock opera
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#146
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#147
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Ayu sure spoiled her fans a lot during her peak
![]() One of the posts here made me think though... It could be a budget issue too. I mean avex wouldn't be the first company to not allow their artist to release music. And from business perspective, reinvesting profit (earned from concerts, in ayu's case) into something unprofitable (new music in ayu's case) is not very wise, basically just a waste of money, which most companies would like to do |
#148
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#149
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People just can’t accept the fact that she’s doing whatever she likes, she doesn’t owe us anything.
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#150
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I was actually thinking lately that ever since Made In Japan Ayu has been into the whole secretive mysterious approach. Made In Japan was a surprise album release and the tour had a surprise appearance from Gackt. Then she called her tour Just the beginning, a vague title for sure. Just the beginning of what we wondered? WORDS was also a bit of a surprise no? Then TROUBLE had all those mysterious tracks uploaded to Spotify and the previews uploaded on social media. She has been taking this secretive approach since 2016 and I think it's not a good long term strategy. I think fans would be a lot more understanding if she just came out and said at some point, "I will only be focusing on the stage for the time being. I currently have no plans for an upcoming album."
I would also like to add that yes it is true that many artists take years between albums, that's normal. But it is not normal for Ayu, not at all. I felt that way years ago but now that it's 2019 it's concerning. I think as fans we deserve some answers. ![]() |
#151
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I always think there's a lot of entitlement going around...
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#152
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This type of comment doesn’t help dispel the negativity either, just saying.
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#153
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It's an Ayu forum where people can speak their minds about what they would like, ideally, from one of their favourite artists. I'm honestly over people claiming that it's entitled at this point when there's a lot of members going to pains to describe how they don't want anything but some insight into her creative vision or thoughts on the future, which only shows fan investment
![]() We can all discuss this better and be more understanding. Baiting for more trouble ( ![]() |
#154
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I wonder what the japanese fans reaction was regarding this tour announcement.
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#155
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Some are simply happy she's (still) touring, but others just don't understand her. The leading comment with most likes is something like " again another tour without an album. I'd prefer new music compared to a tour". Some are also asking what the misunderstood part is supposed to mean and are confused. And none of those comments sound bad, just concerned and disappointed.
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#156
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^ Thank you!
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#157
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![]() LIVE: TV VERSIONS | all a-nation performances | A -Vocal tracks- a-nation audio rips | AYUMI ALL SCANS TEXTLESS | 25th Anniversary Museum ~A WORLD IS ONE~ |
#158
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#159
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There also might be things she doesn’t feel comfortable sharing with everyone that she might be going through. So I think the entitlement does happen to an extent. |
#160
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*Sipping tea* ![]() |
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Tags |
misunderstood, trouble, trouble tour 2019-2020 |
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