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#21
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AKB48 is marketed mostly as a fetish for older men who are interested in really young-looking girls whose record label swears are all virgins. That's why having a boyfriend, drinking, and partying is completely forbidden for them). There's something lacking in the life of those old men and they fill the gap inside them with an obsession for a girl band that lacks any real talent or skill (at least for music). I don't care that someone outsold Ayumi, it just bothers me that even though AKB48 is very popular, their sales are only huge because each fan spends 1/3 of their house income purchasing 200 copies of each single. They're not ashamed of that and even post the pictures online. Those are not real sales, that's not real popularity and finally, that's not a real impact. ![]() And last but not least, I am not by any means trying to offend any of the girls personally or any of their fans. You should listen to whatever you want and buy as many CDs as you want, but I also believe it's extremely important to be realistic. |
#22
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It's hard for me to give them too much credit because they just don't appeal to me. But that said, they have had some level of impact.
I think image-wise, they have deviated a bit from what was more typical in the past, like with MoMusu. Sub-groups and solo projects certainly existed and were a major component of MoMusu, but the regional aspect of AKB and its associated groups is something unique -- I think they've even had overseas units, right? Their huge number of girls is comical, but also changed things -- I remember when MoMusu having 13 girls at their peak was outrageous! I also think the idea of having daily theater performances (in addition to the other gimmick-y events like handshakes) has mad them accessible in a way that major stars were not in the past. So, all that to say, I don't necessarily think their music will stand the test of time or be remembered, or specific members of the group even will be -- but they have had some kind of impact as a whole. |
#23
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I don't hate them nor do I feel particularly butthurt about Ayu's records, but I just feel like they're more of a new, separate category of entertainment, rather than actual musicians. And applying musicians' rules to them doesn't really seem to work.
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#24
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#25
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gazillion of girls, sketchy marketing strategies and fetishising teens - LOL that just shows how much you need to beat down REAL music lol There's nothing there to be proud of, it's laughable to say the least. Ayu is a single person with a single voice that gave her that record (minus the team that works with her, but they don't count).
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#26
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That's. So. Many.
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Finally, I can stop dreaming.... |
#27
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Can you imagine that. I'd rather not. ![]() |
#28
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I mean, nobody is forcing anybody to buy anything, looking at it objectively. You can dislike them as much as you want (not a fan either), but they had quite a big impact the last ten years. So I agree with Voltron. Even if they fade away within a year now, they will be remembered. Also compared to Ayu, who made a huge part of her sales in a time, where physical sales were much higher than they are in the last years, AKB48 was popular in a time with steadily and heavily declining physical sales ( and no, digital isn't that big, it"s just about 20% of the whole Japanese market). Though Oricon should separate groups and solos in their ranking for sure. That's strange.
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Last edited by Corvina; 7th September 2017 at 07:10 AM. |
#29
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Their numbers reflect their sales strategy way more than it reflects their popularity, but as Oricon's goal is to map market influences through sales, they deserve their spot.
Also, it's not like Ayu didn't released multiple versions of singles or changed the date of releases to manipulate her position either. |
#30
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And I don't even know why numbers mean anything. There are plenty of amazing aritists who barley sell. We all know Ayu makes great music, numbers aside.
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introduce a little anarchy |
#31
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Does this sounds legit to you? ![]() This is trash thrown away at AKB events. Is it garbage or is it valued music by its fans? Last edited by Yoake; 7th September 2017 at 11:42 AM. Reason: double post |
#32
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wow... I didn't know this. that's too many girls lmao
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#33
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But everybody has its own reasons to buy CDs. And it's their money. You know, it's pretty common for Japan to resell CDs and DVDs at stores like Book Off and auctions sites as well (and you don't get that much money back for it). Doesn't mean they value the actual music less. There are for sure also Ayu fans throwing away stuff from her. Or any other artists. There is a spot for disposing CDs at the garbage info calender e.g. Most apartements are small and so on. The physical market is all about packaging and editions. Ayu as well. Most people don't use CDs anymore, even though they're buying them support the artist. And in the end every CD is going to be thrown away at some point. So no, it isn't. For whatever reasons, people buy the CDs. But out of curiosity. Do you know how many are thrown away? Percentage? Also I want to correct a mistake I made - the digital share of the Japanese music market is about 20% (vice versa for the USA). The numbers for 2016 are out. Had a wrong number in my mind. Quote:
I listen to so many artists, who aren't popular at all. It really doesn't matter in the end.
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Last edited by Corvina; 7th September 2017 at 07:15 AM. |
#34
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![]() Wow, that is surely NOT environmentally friendly as well... |
#35
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Sorry, I'm a bit offtopicbut can you link me the source, please? I tell my friends every once in a while that digital sales are far lower than physical sales in Japan, but they never believe me, so I'd like to have something to back up my claims haha
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#36
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Ayu fan since 2012 |
#37
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The only thing that surprises me out of this news is that it took AKB48 this long to surpass ayu's record. I mean, they've been selling like crazy for years now!
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#38
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I think it's silly to compare a group to a soloist but on that token consider that near everything related to sales = popularity is almost impossible to measure.
Ayu's A BEST is her highest seller, but that also had 6 cover variants....and almost everything has a CD/CD+DVD/TA Version minimum which artificially inflates stats for everyone. The fact that AKB started in 2005 and took off in 2006 but still took another 11 years to outpace Ayu (even with their million sellers and the A/B/C/D/E/Theater versions of everything) is pretty phenomenal in itself. The only thing I want to see if Ayu's record increase a whole bunch when her next album drops to widen the margin. |
#39
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And by the way, I'm not blaming AKB's team for being great at making them sell tons of CDs—that's their job after all and they do it very well—but it's very sketchy to think that the results of those strategies can actually be understood as genuine impact or popularity. They literally can't. |
#40
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AKB48 and other idol groups release singles with different songs, PV, photobooks, etc for each edition. That's the gimmick. I used to be an AKB48 fan, in fact, I own 26 singles and 4 albums. I bought just one version per single/album mainly because I'm not that wealthy. If you wanna be their number one fan you'll feel the need to buy multiple copies to get all the content. The problem is you will have to spend a lot on CD cabinets to keep them too ![]() |
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Tags |
oricon, records, sales |
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