![]() |
| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
|
#21
|
|||
|
|||
|
Quote:
|
|
#22
|
||||
|
||||
|
Quote:
of course, no one likes someone who is rude, haha! i wish we had factual statistics to look at.
__________________
I just want to forget it all, without even saying "goodbye." |
|
#23
|
||||
|
||||
|
The fact that the people at the reception are rude does not mean the company is "evil" in any means. Maybe if you report such people to the managers, they would do something about it? There are stores you go where you can find rude rude people and others who don't, sometimes it's actually something wrong with certain specific people and not the whole company.
Quote:
)
__________________
♬♪aijou de nuritsubushite Last edited by ImpactBreaker; 2nd July 2005 at 04:06 PM. |
|
#24
|
|||
|
|||
|
Quote:
Thus far the dislike of avex appears to based on the release of compilation CDs and marketing tactics like multiple CD designs. ![]() I'll reply to some of the other posts here later when I have free time. |
|
#25
|
||||
|
||||
|
im not completely sure but i dont think artists under other labels have as much remix albums as those under Avex. Also, i think avex is the company w/ the most CD+DVD singles... Maybe this isnt just exclusive to avex but avex really does push it sometimes.
|
|
#26
|
||||
|
||||
|
That's the "A BEST" incident?
Why was Ayumi mad about it?
__________________
|
|
#27
|
|||
|
|||
|
I personally think Avex is the probably the best company in j-pop scene. they have the best producers and marketing crew. just look at Giza (Rina Auchi , Mai Kuraki) , could they be any more mediocore and bland at their music & marketing and etc ? lol
also I think there's a major improvement in for example on the SPEED members solo careers when they moved from Toy's Factory' to Avex ( to Avex's sub-label called Sonic Groove). and we got to hear some SPEED eurobeat remixes now I like Avex because of their remix projects , Cyber trance & Super Eurobeat remixes are great and only label that releases albums like those is Avex. but I can see some negative sides on Avex. Sometimes the ways they'll smooch off money from fans are annoying. Multiple covers are one example , but that really just bugs collectors and not average fans tho. "Want me Want me" release was so lame , namie fans would have to buy both Cd & Cd+DvD version to get the full contenct. koda Kumi's 'Secret' got a special re-release with added stuff just a little while after the 1st release of the album. other than stuff like that Avex is a great company. the best for Ayu
|
|
#28
|
|||
|
|||
|
Quote:
And personally, if you ask me, rude service people indicates a general lack of desire to please the customers, which translates into a poor attitude, and therefore bad management. (Hey, in Singapore you always come across people and shops like that, which really pisses me off. But then again, Avex's a multinational brand - and I'm sure Japanese are really polite people, so.) |
|
#29
|
|||
|
|||
|
I don't feel Avex is a bad company, per se. But the question was "What's wrong with Avex?". What I feel is wrong with them is their whole attitude toward the business. Entertainment isn't about money, it's about "the craft" (as much as I hate using that term, it is valid here). I have a very old-fashioned point of view as to how showbusiness should be handled, as most people in showbusiness will. It's when the suits exploit their artists (i.e. by favoring the moneymakers instead of nurturing the talent) and patrons (i.e. with all the multiple-choice releases) that really crumbles the cookies.
Toshiba-EMI is the same. Hell, they gave me a fake phone number to call when I went to see them. So Avex is not really any different from any record label these days. I mean, they all have their little differences, otherwise artists wouldn't be able to choose one over the other or vice versa. But from a business standpoint, they're just another major corporation. That doesn't make them likeable, though. And I know they don't need to be likeable to be a successful company. I mean, I think they're despicable and I have little respect for their impersonal tactics; but still I want to work for them because of the abilities they have. They're a strong company, no one can take that away from them. |
|
#30
|
|||
|
|||
|
Quote:
|
|
#31
|
|||
|
|||
|
I thihnk it's funny how Ayu was mad about "A best" seeing as it is her best selling album of all time.
|
|
#32
|
||||
|
||||
|
Quote:
I can't even imagine all the great music we would have lost if she had quit earlier ;_; scary thought! |
|
#33
|
||||
|
||||
|
Quote:
|
|
#34
|
||||
|
||||
|
Quote:
|
|
#35
|
|||
|
|||
|
Avex doesn't do what all the fans please, that's what's wrong with it.
|
|
#36
|
|||
|
|||
|
It makes sense. The Japanese music scene was generally always made up of fleeting idol singers. They were hot for a while, then faded out. 3 albums sounds too early for a greatest hits album, but when the artist doesn't last much longer than that...
I don't know if Avex expected Ayu to last much longer than your average idol, and they probably wanted to cash in on her one last time for certain. Ayu definitely didn't want to die out after only 3 albums, so probably saw the pressure for a hits album as a lack of faith in her to make a lasting cultural impact. I don't think they were trying to end her career, but wanted to be sure they could get as much money from her as possible before it did end. |
|
#37
|
|||
|
|||
|
..so much for Ayu having so much control, lol. People make a big deal of how Ayu's had so much control, blah blah- that just shows that the company still ownz her.
|
|
#38
|
||||
|
||||
|
Quote:
|
|
#39
|
|||
|
|||
|
And then we complain, because people complain, because they're not happy campers- all because they can't make up their minds with what they want and so it's all avex's fault./sarcasm
|
|
#40
|
||||
|
||||
|
And then our comments get moved to the trash.
Man, I hate Avex!
|
![]() |
|
|
![]() |