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| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
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#421
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On the topic of Ku releasing so much more than ayu while touring despite having essentially an overall busier life than ayu, I think it has a lot to do with how they both reached superstardom. I’m not saying ayu hasn’t had struggles in her life but she said way back when she never had this undying desire to be a singer. Like she kind of fell into it and then fell in love with it. And she took off relatively early in her career - almost an instant smash.
Ku on the other hand had a real struggle reaching her superstardom phase. She struggled in the industry with pleasing those around her and their demands of her, so I think she has a stronger drive to continue running forward on that path after the gates finally opened for her. She’s a lot more “eager” than ayu. It’s almost like the stars were already naturally aligned for ayu. Ku had to play a few rounds of poker before she finally acquired the right hand. |
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#422
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Quote:
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wednesday's child is full of woe |
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#423
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![]() ![]() ![]() ![]() ![]() From Instagram and LINE
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#424
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I can’t read Japanese but that Bra Bra Bra better be Bla Bla Bla
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#425
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Here's the short version for WATCH OUT!! ~DNA~:
https://www.facebook.com/KumiGermany...5981846409540/ ![]() Her description of the song is interesting. She says that cause of an overflow of information nowadays, we have to look out for the good and bad stuff. The PVs are connected.
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Last edited by Corvina; 25th July 2018 at 06:04 AM. |
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#426
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*squints* Ultraviolet, is that you?
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wednesday's child is full of woe |
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#427
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Quote:
it’s almost as if the industry was mad with the package they got along with discovering her vocal talent and charisma. She automatically was a disappointment - I don’t think the industry felt the same way for ayu because she was already packaged in such a way that the only thing that shined trough was her potential, more so than ayu herself even realized I believe. Also, Ku had the added trauma of watching her sister soar at success and be handed opportunities. It’s like Ku’s whole existence and traumas centered around “almost there...” / “not quite good ENOUGH.” |
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#428
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The lyrics
Spoiler:
It's like HAIRCUT is directed more to Kuu herself and WATCH OUT!! to us. Considering she comes through the mirror in that short version of WATCH OUT!!... Kuu is part of the sphere that's providing an overflow of information an impressions after all. Quote:
Ayu had everything fell into her lap, while Kuu had to work hard to get where she is now. Kuu had to change within her carreer. And even so she never was everybody's darling.
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Last edited by Corvina; 25th July 2018 at 12:54 PM. |
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#429
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What the hell... I can't watch videos from kumi germany =( is the page blocked in Japan?
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#430
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Quote:
![]() I upload them since you're unable to view them online HAIRCUT (Short Version) https://www.sendspace.com/file/11d7g8 WATCH OUT!! ~DNA~ (Short Version) https://www.sendspace.com/file/hiba37
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#431
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Quote:
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awsome SET made by Foxxy_Fuyumi l ~**My HQ-MV CAP COLLECTION THRAD**~ l ~**My HQ-Audio Live Rip COLLECTION THRAD**~ |
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#432
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#433
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Hmm, not a fan of the editing (it kinda fits the lyrics tho cause it was a bunch of information lol), and the song has not hooked me yet, the chorus seems bland compared to the verses. Maybe the whole thing will be better.
But girl looks stunning. Last edited by Gustavopc; 25th July 2018 at 01:17 PM. |
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#434
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Quote:
![]() I will stop now.
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wednesday's child is full of woe |
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#435
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#436
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Not a fan of the music so far, but she looks so good! Such a throwback to the Kingdom days, it's very Amai Wana (the Music Station performance) but colorful.
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#437
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Lol omg
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#438
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Didn't like WATCH OUT. Let's wait for the full version
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#439
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I've talked to them a while ago - yes, they blocked the page for Japan, cause they're uploading Japanese FC exclusive stuff.
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#440
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She just posted a bunch of videos from the a-nation rehearsal on her insta stories and I looooove she's sharing those fun moments <3 Didn't understand a thing tho ahahahah
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| koda kumi, queen of live |
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