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· Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
#161
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As I said, I don't think it's a song telling her fans to completely back off, that she doesn't want to have contact to us anymore, but that we should stop expecting her to do just what we want and give her some space, that she is her own person. I believe she still loves meeting her fans and seeing her fans enjoying her music, but there have been MANY cases of fans being really rude because of things they didn't like especially since she uses twitter. And Ayumi just isn't a person that likes being told what to do at all.
Just imagine trying to have contact to your fans and then whenever you do something, even if you think you did something to make your fans happy, you get mean messages. That's the situation Ayumi is in every day. And I don't think a-nation having happened after her writing that song is a valid argument because that was really just a peak. More extreme than usual but stuff like that happened to her before, too, she just usually ignored it. Just look at the tweets send to Ayumi. When she releases something new there are many positive ones but there are many negative ones, too. And very rarely are they phrased in a respectful manner. And it's not the first time Ayumi has done stuff about her fans that is negative. alterna and ourselves had insane fans in the videos for example and most songs commonly believed to be against avex can be interpreted to be about the whole business and/or her fans as well. As jbrat2219 says, it doesn't mean she doesn't love her fans. It means that there is a line that shouldn't be crossed and that she is not a machine made to fulfill all our musical desires. |
#162
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I want to be totally clear, I totally agree with your assessment that "Brillante" is about her fans. The only reason I didn't see that way is because the line about two becoming one, becoming two again through me off because I was seeing it as though being a single entity was the problem, IE it meant she was alone. My boyfriend explained that it also means that two entities became one, much to the same point as "Part of Me". With that said, however, just because two songs are sung together in sequence at a concert doesn't make them related. I heard a rumor that "Memorial Address" was "Teddy Bear" 2.0, but I never heard Ayu say this, nor did I ever read a credible article that stated she did. She sang "countdown" and "Memorial Address" in her Rock 'n Rock Circus tour nearly the same way as she sung "Teddy Bear" and "Memorial Address" back in her Arena Tour '04. We can agree to disagree about "It Was", but until I see her say otherwise, my impression is was written with her father in mind because it's that same pessimism, reluctant hope, and open ended uncertainty that plagues all the songs we can both agree were written for her father. I still don't understand the idea that the topic of her father is some how now taboo after Memorial Address mini album.
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#163
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#164
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Memorial adress was about her father, as much as teddy bear
I rememeber the interview about it back in the times ![]() |
#165
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After reading isthisLOL? and Nessa's theories here I would be happy if ayu confirmed any. Or maybe a totally new one. It's just because both make sense to me, especially the fans' one. (Even though I totally didn't think of fans when I first read the lyircs and saw the PV.)
Since she started twitter, she probably got so much critic from people who don't even think about how to phrase it in a way that isn't totally attacking and inpolite. No matter what she does. Also, I see fans writing "I miss you" and "Don't you forget about us!" more than once a day, which would annoy me so much. How can you even miss a person that is present so much? And how can you even really miss a person badly that you don't know personally or never met? How can you even complain if she takes time to go to twitter almost everyday just to talk to fans ![]() But this would be really sad because it's a great way to tell her important things. To return back to topic: the song itself is brilliant and conveys so much emotion, I really didn't expect such a song. Especially not on a mini album that was made so short after her last full-length one. Timmy really did a good job with this, the song is so unique. It would be kind of sad if this was about her fans but I could understand. No matter which relationship of ayus it's about especially, it's a great songs for us listeners to emphasize with the feeling of end and goodbye.
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Last edited by Luja.; 21st September 2011 at 05:15 PM. |
#166
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Also, Ayu hadn't even conceived of Memorial address until she heard the original song. (Kumo / Spider by LOVER SOUND TRACK composed by Tetsuya Yukumi) From the beatfreak for Memorial address: Quote:
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#167
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so in the interview for WWD Ayu & Leslie confirmed that BRILLANTE PV was thanks to Cleopatra's movie with Elizabeth Taylor
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#168
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Sometimes I think Ayu fans look too deeply into things where there is no meaning, like some people were trying to find meaning in the Sunrise/Sunset PVs...LOL.
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#169
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^ I think it depends. For example, I would have never been able to see the deep meanings some of her album titles have (according to her). So sometimes a title is a title and PV storyline might be just what we see, or sometimes more.
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#171
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Brilliant? lol - so witty.
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#172
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Looking at BRILLANTE again now (song & PV), I think maybe we took the fans' role too serious
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#173
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A lot of people often say that when Ayu mentions "going back to basics" they automatically assume the album will be MY STORY-esque, which is why some people were disappointed with RnRC. So is THAT the classic Ayu everyone really wants? Is that the blueprint fans want Ayu to follow with her upcoming releases? Is that the essence of classic Ayu that BRILLANTE fails to capture? I don't know... I'm avoiding homework with these discussion topics lmao xD; |
#174
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And I do understand that BRILLANTE is favored by a lot of people who wanted creativity. I do not understand where that crowd came from. Especially because most people were excited for the full version of progress when FIVE was announced. When it got released it was like progress didn't existed anymore lol. ![]() You guys heard this about 100 times but "I do not think BRILLANTE is 100% ayu's style" < I do not have any right of saying this, because this goes further than just an opinion, but I honestly feel like that. However, BRILLANTE like I said just doesn't do it for me. The theme and concept is rather unappealing to me. I never liked the Egyptian 'influences' so that's for the PV's sake. As far as the lyrics go; I don't like them. Spoiler:
The lyrics are so tragic yet motivational in a way and they confuse me. Maybe that is because of the difficult Japanese to English translation, but they do not make sense to me. The arrangement is not bad, but I don't like it. Maybe the arrangement makes the whole song so dramatic or tragic sounding. I surely don't hate it, I dislike it! ![]() lol homework, don't get me started ![]()
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My posts often contain OPINIONS! (: DISCOGRAPHY ayumi hamasakiDISCOGRAPHY shoko nakagawa DISCOGRAPHY kyarypamyupamyu Last edited by RayJason; 20th November 2011 at 02:37 AM. |
#175
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The lyrics seem to pretty obviously be the thoughts of a person at the end of a relationship to me. I don't see how they could be confusing.
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My Blog ~ My Twitter ~ My Tumblr (New) Now on Boldly Delicious: "Career Check: Ayumi Hamasaki" - working my way through Ayumi's discography from A Song for XX to Party Queen! MY STORY update(lots of bashing guaranteed) online! |
#176
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In my opinion, Japanese lyrics are a lot more understandable if you know the language. No offense to the translators, they do a great service for the Ayu fan community, but I prefer to read and interpret Ayu's lyrics as they are. That could be what is leading to some confusion for you. But the translation for BRILLANTE seems a little straight forward.
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#177
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Than I thought, isn't he? A human is entirely Caught in nothingness, isn't he? That is particularly what confuses me. The 'he'. I cannot really tell what's going on in those two lines because of the ending 'isn't he'. Maybe I'm not reading the 'message' or something but when I first saw this I was thinking why she directs a human as a 'he' and not also as 'she'.
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My posts often contain OPINIONS! (: DISCOGRAPHY ayumi hamasakiDISCOGRAPHY shoko nakagawa DISCOGRAPHY kyarypamyupamyu |
#178
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Or other examples: "The Yankees suck this year, don't they?" "One doesn't drink expired milk, does he?" Sorry for the lame examples... But do you get what I mean? xD; Last edited by jbrat2219; 20th November 2011 at 02:50 AM. |
#179
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My Blog ~ My Twitter ~ My Tumblr (New) Now on Boldly Delicious: "Career Check: Ayumi Hamasaki" - working my way through Ayumi's discography from A Song for XX to Party Queen! MY STORY update(lots of bashing guaranteed) online! |
#180
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Quote:
Quote:
Spoiler:
Until now I was confused ![]() ![]() To be honest, I have played BRILLANTE again during I first replied to you and I noticed the ending of the song. I completely dislike it. If I had my headset or earphones in I would think that my battery died or something lol. I do not like that effect. However the arrangement on second thought is kinda nice. It's soothing while it's also slightly giving the reverse effect of calming me down. I can see what you mean that it has something from ayu's older works and newer works. The chanting is something that ruins it for me in the chorus, not so much in the finale, but in the chorus I do not like hearing it. edit; @jbrat2219 Yes! It makes so much sense now, I'm pretty sure I got this in school (but already forgot it ![]()
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My posts often contain OPINIONS! (: DISCOGRAPHY ayumi hamasakiDISCOGRAPHY shoko nakagawa DISCOGRAPHY kyarypamyupamyu Last edited by RayJason; 20th November 2011 at 03:01 AM. |
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Tags |
『five』, 浜崎 あゆみ, 浜崎あゆみ, brillante |
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