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  #1  
Old 22nd December 2010, 05:56 AM
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CMJK blog posts about Love songs

Quote:
Translations from Misa-chan:
A parcel from avex!

With loud exclamations, I received ayu-chan's sample discs

They reached yesterday

Kome-san, Jirou-kun
Thank you so much m(_ _)m

So

New album 「Love songs」
Nobita and Nagano Yuuta worked lots on this
I, not so much

But ayu-chan's sound direction and mood this time round is basically

The TK sound = synthesizers

Whatever impression I had of the TK sound
was totally destroyed
Almost all the songs were strings-based
(stuff like violins and cellos)
and featured the piano as well

It was an organic TK sound

Such a new invention
I couldn't help feeling
"So it's finally here"

The recording itself
was a really awesome experience

I'll write more about that next time

Bushido from Los Angeles ~November~

…….

ayu-chan’s new album

Love songs

is on sale

During all my years of recording, I’ve been deeply moved by some music I’ve experienced. But this time, I’m going to write about the last song on the album, November.

The very first demo we received from Komuro-san had no rhythm. With just a trance-like synthesizer sound, the song was of a sorrowful drifting ambient trance genre. The song already felt complete at that point, but

The album this time had an underlying theme, not voiced but understood by everyone, to develop an organic sound as much as possible and to cut down on the synthesizers.

We wanted something which can invoke a feeling on nostalgia, no matter who and how old the listener is, and make them think of their childhood days. So based on that feeling,

We decided to feature the sure-kill piano+harmonica combination with my xylophone and I.

Next, the rhythm problem.

Drums could be inserted in the background. As we were aiming for something cool with a large sound, we made a request to Vinnie Colaiuta, who did SEVEN DAYS WAR, straight away.

As for bass,

We wanted a sound which was short and sparse but lively, something like the song CRAZY by SEAL. So we found out who did the bass for CRAZY. And it was Pino Palladino, the bassist who did SEVEN DAYS WAR as well.

Pino was from England, so he wasn’t in America often. The last time, he was coincidentally in Los Angeles on a tour, that’s why we miraculously managed to get him to play.

So we asked our super coordinator and translator

“Where can we get someone who has a groove, but does not do the rock genre?”

Hearing our request, she casually made an offer to Nathan East for us.

Nathan is Eric Clapton’s right hand man, basically the best bassist in the world!

Yesterday, I went out for drinks with my senior Shinga-san, and she asked “So, what big shot musician have you worked with lately?”. I replied “Nathan East” and she was so surprised she fell off her chair.

Yeah, anyway, we anxiously sent off the demo tape to Nathan and Vinnie. And finally, the day for recording arrived.

On a cue, the drums and bass started off recording together, and from the very first session, everything was perfect! It took all my effort to hold in my tears. This was a sure kill!

We had a sound producer on hand just in case to give the musicians their cues and music instructions, but because they were such good players, they didn’t need those. We didn’t need to get them in the mood, and they remained steady and calm throughout.

But it was hard to stay calm, they were just so good from the very beginning.

After that, we gave them just a little bit of simple instructions, and they redid the whole song for us again.

Vinnie and Nathan were both great players, and could do wonders in so little time. With such wonderful work done, it didn’t feel like I was working at all…

In the end, the take that got the “OK” was the very first take they did.

Telling jokes and laughing all the way, but so serious and involved when they are performing. Though we didn’t spend much time with them, Vinnie and Nathan were so cool

Yep

Just one strike! Normally, there’s always lots of changes made during recordings, and lots of people often come unprepared. But this, they pull out their sword, and all they need was just one strike!

This is what true bushido/samurai is about.

As a musician myself, I strive to be like that too.

It was a moving experience.
http://www.ahsforum.com/forum/showpo...5&postcount=11
http://www.ahsforum.com/forum/showpo...7&postcount=15
http://ameblo.jp/cmjk/entry-10744318653.html

He will be posting more later so be on the lookout! I guess he feels like they made an "organic" version of the TK sound?

[Note: He made a few of these posts back when Rock'n'Roll Circus came out too~]

Last edited by truehappiness; 5th January 2011 at 11:32 PM.
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  #2  
Old 22nd December 2010, 05:58 AM
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a spare prick from avex huh....

ok.

Thanks TH
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Old 22nd December 2010, 06:19 AM
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Yeah... the translator's a little weird.
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Old 22nd December 2010, 06:23 AM
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Thanks for posting, hopefully we'll have a better translation soon!
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Old 23rd December 2010, 02:46 AM
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I really hope that they're not using synth strings. Maybe I'm biased as a violinist, but that's the worst sound in the world. Hopefully "organic" means that they're using live strings.
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Old 23rd December 2010, 02:48 AM
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Most all tune strings. strike as a current stereotype is complete and break it
(stringed instrument such as violin cellos)The piano is feature [sare]. solve.

What i think is trying to be said here is that the "stereotype" for TK has been to think "synthesized" sounds. But with this album, that stereotype was broken.
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Old 26th December 2010, 11:20 AM
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Quote:
Originally Posted by rakeru View Post
I really hope that they're not using synth strings. Maybe I'm biased as a violinist, but that's the worst sound in the world. Hopefully "organic" means that they're using live strings.
They used mainly real violinists for this album. If you hear strings, they are a pair of violinists/a real string section.

He wrote about November and Like a doll.

Quote:
ロサンゼルスで学んだ武士道 ~November~

トレンチコートを着込んだ男が
コンビニ入り口付近で
わーかったわかったわかったー
わーかったわかったわかったー
わーかったわかったわかったー
わーかったわかったわかったー
と携帯電話に叫んでいたんですが
彼の職業/正体は相撲の行事に
違いないと確信した
CMJKです こんにちは

えー

あゆちゃんのニューアルバム

Love songs

が発売となりました

レコーディング中はたくさんの
音楽的な感動体験があったんですが
今回はアルバムの最後の曲
November について書きます

最初に頂いた小室さんのデモは
リズムもなくて
トランシーな音色のシンセの音で
哀愁漂うアンビエント・トランス
といった感じでそれはそれで
とても完成されていたんですが

今回のアルバム全体の裏テーマとして
シンセシンセした音はなるべく減らして
オーガニックな仕上がりに!というのが
暗黙の了解としてあったので

とにかくどの世代が聴いても
ノスタルジックで切ない気持ちになるよう
子供の頃とかを思い出すよう
そんな感じにしようかなと

木琴や僕のアイデンティティーともいえる
必殺のピアニカをフィーチャーしてみました

で 問題はリズム隊です

ドラムは奥行きと余裕があって
スケールの大きいサウンドで
なおかつクールに と言う感じを
目指したかったので
迷わず SEVEN DAYS WARでも
やってもらったヴィニー・カリウタを
リクエストしました

で ベースなんですが

SEAL の CRAZY という曲みたいに
短くて少ない音色で
躍動感がありつつもクールに
という感じにしたかったので
CRAZYのベーシストは誰かなと調べたら
これもやはり SEVEN DAYS WARで
やってもらったピノ・パラディーノでした

ピノはイギリス人なので
通常アメリカにはいません
前回はツアーの途中でたまたま
ロサンゼルスにいただけで
本当に奇跡的にお願いできたのです

スーパー・コーディネーター/通訳の
ま姉さんことまいさんに

ロックじゃなくて落ち着いてて
でもグルーヴがバッチリな人

とリクエストしたら

なんとネイザン・イーストに
オファーすると
しれっと言うではないですか

ネイザンといえば
エリック・クラプトンの右腕
とにかく世界最高峰のベーシストです

先日飲み屋で
大先輩の超大御所のシンガーの姉さんから
最近誰かセッションミュージシャンと
仕事したか?と聞かれたので
ネイザン・イーストと答えたら
椅子から転げ落ちたくらいでして

まあとにかく緊張したまま
デモをネイザンとヴィニーに送り
レコーディング当日がやってきました

ドラムとベースをせーので
一緒に録音したんですが
最初のセッションで ぱ パーフェクト!
涙がにじんでくるのをこらえるのに
必死でした

一応僕らサウンドプロデューサーは
ミュージシャンがどんなに大御所であっても
演奏に指示をしてまとめなくてはならないので
現場で舞い上がったりしてはいけません
冷静に構えてなくてはなりません

冷静でいるのが難しいくらい
最初から最高の演奏でした

一応 もう少しシンプルに
という指示を出して
もう一度演奏してもらったんですが

ヴィニーもネイザンもうまいので
あっという間に妙にこなれちゃって
完成度が高すぎちゃって「仕事」ぽく
なっちゃって・・・

結局最初に音を出した最初のテイクで
本番をオッケーにしました

冗談を言ってゲラゲラ笑いながら
やってきて
演奏中は鬼のように集中して
曲の世界観にのめりこみ演奏し
また冗談を言ってゲラゲラ笑いながら
あっという間に去っていった
ヴィニーとネイザン

うーん かっこいい

一撃必殺! 
普段は余裕を持って行動し
周りを油断させるべし
その代わりひとたび剣を抜いたら
一撃必殺!

というその立ち振る舞いは
正に武士道/サムライです

僕もミュージシャンとして
そうありたいなあと思いました

感動の体験でした
Quote:
Like a doll

年内にシステムのアップグレードが

全て終わるだろうと思っていたら
全く終わる気配がなくて
少々ぐったりしている
CMJKです こんにちは

えー

去る22日に
浜崎あゆみ女史のニューアルバム
"Love songs" が発売されました

またしても
レコーディングにまつわる
ちょっとしたエピソードを
書こうと思います

"Like a doll" は当初
ヒューマンリーグの
"Don't you want me"
みたいな モロ80's指向の
エレクトロ寄りアレンジだったんです



そのバージョンであゆちゃんも
いったんは歌を録り終えました

で トラックダウンを
"Dream On" 同様に
Jacen Joshua

http://en.wikipedia.org/wiki/Jaycen_Joshua

に振ろうと考えてました

リアーナ ケイティー・ペリーを
手掛けるJacenなので
バッチリだろうと思ってたら

あゆちゃんが僕に話がある と

「話がある」と言われたら
それはつまり
アレンジを大幅に変えろと言う事である

いやいや とはいえ
もう歌も歌って録音したし
そんなに大幅には変えないだろう
と油断していたら・・・

せっかくJacenにやってもらうんだから
シンセシンセした感じは無しにして
もっと今風にやっちゃって!
やりきっちゃって!振り切っちゃって!

コーラスのパートも
新しく考え直して
たくさん増やして!

との指令を承りました

というわけで
アレンジを1日でゼロから
組み建て直しです

この時点で僕は
なんだか説明の付かない
やる気に満ちています

あゆちゃんは
やる気スイッチ を押す事の
天才だと思います

というわけで
レコーディングも佳境の
最後の方で
斬新で不思議なアレンジの曲が
できあがりました

結果的には
あゆちゃんの思惑通り
アレンジを変えて大正解でした

あの人は
プロデューサーとしても
天才です


しかし更に 
あゆちゃんがすごいのは

へっへっへっ
このコーラス・アレンジは
ちょっと複雑で
こう来るとは思わないだろう

といったアプローチの
コーラスのラインを提示しても
たった1回聴いただけで
もう覚えてしまって
さっさと歌ってしまう事です

うーん
根っからのミュージシャンなんだなー
と 毎回感心してしまいます

Jacenのトラックダウンも
Dream On同様に完璧でした

ピアノとストリングスを
最大限に生かしつつも
超今風のビートのアプローチ
そして 聴いてて気持ちいい
ボーカルの処理

うーん 
Jacenもまた間違いなく天才だ

というわけで
じぶんにとっても
少しは成長できたかな
といった感じで
とても良い経験ができた曲でした
Excite translations:
Quote:
Bushido learned in Los Angeles ~November~

A man who wore the trench coat : in the vicinity of the convenience store entrance.
With understood [wa] [kattawakattawakatta] [wa] [kattawakattawakatta] [wa] [kattawakattawakatta] that boils and drives [-] understood, Cellular phone..shout..occupation..true colors..sumo wrestling..event..conviction..hello.

Food

New album of [ayuchan]

Love songs

However, it puts on the market and [narimashita].

The last tune November of the album is written this time though there was a musical impressed experience of dusting it while recording.

The demonstration of Mr./Ms. Komuro who got it first doesn't have the rhythm either.
Though it had been very completed by it in the sorrow ....[tadayo].. floatage.. feeling of ambient transformer because of ..[toranshi-].. sound in Since of the tone

Decrease the [shinseshinse]ed sound as much as possible as a back theme of the entire this album and to finish ..organic... It is necessary because it was as an unspoken assumption

Anyway, even if which generation listens
To recall attendant Yoko who becomes nostalgic, painful feelings, let's make it to such feeling.

It is feature [shitemimashita] as for the Pianica of the kill without fail that can be called xylophone and my identity.

[De] problem is a rhythm corps.

Because the drum wanted to aim at the sound that there are depth and room and the scale is large and the feeling said to cool
It doesn't hesitate and even SEVEN DAYS WAR :.
Done Vinny [kariuta] was requested.

Though it is [de] base

Like the tune named CRAZY of SEAL because of a short, few tones
Because it wanted to make it to the feeling said to cool though there is a throb feeling
It was Pino Palladino who had done this with SEVEN DAYS WAR after all when do the question who the bassist of CRAZY was.

It is possible to get and to Los Angeles by chance on the way of the tour last time in the United States without usually because Pino is British
It was possible to ask really miraculously.

Interpreter [noma] [ane] [sanko] and super-coordinator/[maisanni]

It settles down because it is not a lock and ..[tedemo] groove.. ..[bacchiri].. [nin].

When requesting it

When you offer to the [neizan] yeast very much
Is not be known [tto] said?

[Neizan] must
Eric Clapton's right arm
Anyway, it is a bassist in the world highest peak.

In the drinking house the other day
Did large senior's super-leading figure's Singer's elder sister work with the session musician?It tumbled down from the chair when answering as the [neizan] yeast because it had been asked.

That day of the sending recording came to [neizan] and Vinny the demonstration while strained anyway probably.

Though it recorded together ..drum and base [wose] [-]..
It is the first session and [pa] perfect.
It was desperate though it was endured that tears blotted.

It doesn't become it when it is not necessary not to fly up on the site and it takes a stance calmly because we sound producers should tentatively direct the performance no matter the musician is very a leading figure and bring it together.

It was the more first performance.

The instruction said tentatively a little more simply is put out.
Though it performed again

It digests with surprising swiftness strangely, and it is too complete and "Work" [pokunacchatte] because it is good at Vinny and [neizan] ・・・.

After all, the real thing was made okay by the first take that emitted the sound first.

It jokes it comes though it is galley galley laughter.
Vinny who leaves with surprising swiftness and [neizan]. give oneself up, perform, and joke the outlook on the world of the tune concentrate like performed demon the galley galley laughter it

Well ..[ka].. [i]

The blow kill without fail. It is necessary to act with room usually and to relax one's guard against surroundings.
The sword once, the blow do kill without fail when pulling it out.

It is chivalry/exactly Samurai named the behaving.

I thought that I wanted to be so as a musician, too.

It was an experience of impression.


Like a doll


When thinking that all the upgrades of the system will end within the year, At all..end..sign..provide..a little..tired out..hello.

Food

On last the 22nd
Ms. Hamasaki progress's new album "Love songs" was put on the market.

Again
I think that I write a little episode that coils round the recording.

"Like a doll" was an electro an at first inclined to of "Don' t you want me of human league Moro 80 like "' s aim it arrangement.



[**ri] finished the song to [ayuchanmo] in the version once.

It is Jacen Joshua in similar "Dream On" as for [de] track down.

http://en.wikipedia.org/wiki/Jaycen_Joshua

It is thought that it shakes it and is [ni] [mashita].

It is thought that it might be [bacchiri] because Jacen that handles the [ria-nakeitei;-] perry and is a cod.

When I ..[ayuchan].. have the talk

It is in a word if said, "There is a talk".
It is a thing told it to change the arrangement greatly.

Say with hesitancy.
The song has already been sung, and recorded and when relaxing one's guard if it is likely not to change it so much greatly ・・・

The feeling [shinseshinse]ed because it puts it to Jacen is put to the wind with great pains [tto] now even in case of not being.
Doing and finishingShaking off

It increases it a lot by trying to think about chorus's part newly.

The instruction was received.

Thus,
From 0 to united rebuilding as for arrangement in a day

At this point, I :.
The motivation to which the explanation doesn't adhere has been filled somehow.

[Ayuchanha]
I think that it is a genius of the thing to push the motivation switch.

Thus,
The recording also :.
The tune of a novel, mysterious arrangement was completed.

Consequentially
According to the speculation of [ayuchan]
The arrangement was changed and the Taishou era solution.

That person
It is a genius as the producer.


However, further..[ayuchan].. [sugoinoha]

[Hehhehhe]
This chorus arrangement : for a moment in the complexity.
It will not be thought that it comes so.

Approach
Even if chorus's line is presented, it has already remembered only by listening once.
It is a thing quickly sung.

Well.
Every time, it feels admiration with [-] shall not a natural musician it.

The track down of Jacen was also ..similar Dream On.. perfect.

Though the piano and strings are made the best use of to its maximum
Pleasant [te] vocal is processed the approach of the beat of a super-this wind and listening.

Well. Jacen is correct and a genius, too.

Thus,
In feeling that it was possible to grow up a little for the self
It was a tune to be able to do a very good experience.
Again, these are Excite translations until someone decides to translate if they feel like it.

Looks like Like a doll's arrangement was inspired by The Human League's "Don't You Want Me"?
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  #8  
Old 29th December 2010, 12:10 AM
Coelacanth Coelacanth is offline
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Can somebody translate these?
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  #9  
Old 29th December 2010, 12:43 AM
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People might be busy. I hope someone can do it though~
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Old 1st January 2011, 11:42 AM
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I'll do them soon~ (after I get over the shock of the wedding annoucement lol) Imagine going on holiday, coming home, plopping down on the sofa, and first thing on the tabloid news when you switch on the TV is...
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Old 3rd January 2011, 04:50 PM
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The first entry. I only translated the relevant parts.

Quote:
A parcel from avex!

With loud exclamations, I received ayu-chan's sample discs

They reached yesterday

Kome-san, Jirou-kun
Thank you so much m(_ _)m

So

New album 「Love songs」
Nobita and Nagano Yuuta worked lots on this
I, not so much

But ayu-chan's sound direction and mood this time round is basically

The TK sound = synthesizers

Whatever impression I had of the TK sound
was totally destroyed
Almost all the songs were strings-based
(stuff like violins and cellos)
and featured the piano as well

It was an organic TK sound

Such a new invention
I couldn't help feeling
"So it's finally here"

The recording itself
was a really awesome experience

I'll write more about that next time
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Old 3rd January 2011, 06:30 PM
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thx ^^;
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Old 4th January 2011, 04:15 AM
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thanks misa, its interesting
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Old 4th January 2011, 05:52 AM
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thanks
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Old 5th January 2011, 01:23 PM
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Bushido from Los Angeles ~November~

Quote:
…….

ayu-chan’s new album

Love songs

is on sale

During all my years of recording, I’ve been deeply moved by some music I’ve experienced. But this time, I’m going to write about the last song on the album, November.

The very first demo we received from Komuro-san had no rhythm. With just a trance-like synthesizer sound, the song was of a sorrowful drifting ambient trance genre. The song already felt complete at that point, but

The album this time had an underlying theme, not voiced but understood by everyone, to develop an organic sound as much as possible and to cut down on the synthesizers.

We wanted something which can invoke a feeling on nostalgia, no matter who and how old the listener is, and make them think of their childhood days. So based on that feeling,

We decided to feature the sure-kill piano+harmonica combination with my xylophone and I.

Next, the rhythm problem.

Drums could be inserted in the background. As we were aiming for something cool with a large sound, we made a request to Vinnie Colaiuta, who did SEVEN DAYS WAR, straight away.

As for bass,

We wanted a sound which was short and sparse but lively, something like the song CRAZY by SEAL. So we found out who did the bass for CRAZY. And it was Pino Palladino, the bassist who did SEVEN DAYS WAR as well.

Pino was from England, so he wasn’t in America often. The last time, he was coincidentally in Los Angeles on a tour, that’s why we miraculously managed to get him to play.

So we asked our super coordinator and translator

“Where can we get someone who has a groove, but does not do the rock genre?”

Hearing our request, she casually made an offer to Nathan East for us.

Nathan is Eric Clapton’s right hand man, basically the best bassist in the world!

Yesterday, I went out for drinks with my senior Shinga-san, and she asked “So, what big shot musician have you worked with lately?”. I replied “Nathan East” and she was so surprised she fell off her chair.

Yeah, anyway, we anxiously sent off the demo tape to Nathan and Vinnie. And finally, the day for recording arrived.

On a cue, the drums and bass started off recording together, and from the very first session, everything was perfect! It took all my effort to hold in my tears. This was a sure kill!

We had a sound producer on hand just in case to give the musicians their cues and music instructions, but because they were such good players, they didn’t need those. We didn’t need to get them in the mood, and they remained steady and calm throughout.

But it was hard to stay calm, they were just so good from the very beginning.

After that, we gave them just a little bit of simple instructions, and they redid the whole song for us again.

Vinnie and Nathan were both great players, and could do wonders in so little time. With such wonderful work done, it didn’t feel like I was working at all…

In the end, the take that got the “OK” was the very first take they did.

Telling jokes and laughing all the way, but so serious and involved when they are performing. Though we didn’t spend much time with them, Vinnie and Nathan were so cool

Yep

Just one strike! Normally, there’s always lots of changes made during recordings, and lots of people often come unprepared. But this, they pull out their sword, and all they need was just one strike!

This is what true bushido/samurai is about.

As a musician myself, I strive to be like that too.

It was a moving experience.
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  #16  
Old 5th January 2011, 01:51 PM
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I really like November alot ^^ thx for the translation!
With such a big cast behind the composing team it only lacks a PV =/
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  #17  
Old 5th January 2011, 02:44 PM
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Thanks for the translation, really interesting read.

Can't wait for like a doll's translation too!
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  #18  
Old 5th January 2011, 02:44 PM
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Quote:
Originally Posted by Misa-chan View Post
Bushido from Los Angeles ~November~
Amazing! Thank you!
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Old 5th January 2011, 03:00 PM
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Thank you so much, Misa-chan! This makes me appreciate the album even more.
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  #20  
Old 30th January 2011, 01:17 PM
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Great, a translation <3 Makes me see the album a bit differently ^^
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