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· Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
#41
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And one more thing, I don´t really think she´s ever gonna stop or have a kid or something, at least not for now. She has all the points to become a living legend (if she isn´t already.) Namie kinda ruined it with her break off of music and her fall from grace, and Kumi totally runied it with the scandal (although I still think that both are great and important), but Ayumi has been 11 straight years in the business, most of them on the top, without stopping, with no scandals and with no faults. So congrats to her, because she´s on a very well deserved spot, even if she´s not on the list. As for male entertainers, I´m always surprised that most of them (if not all) are part of groups. I mean, there´s not much solo male artists who stand out. (Maybe Ken Hirai). I guess groups have a much larger lifespam than individuals |
#42
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I don't even know if Utada was interested in the "Queen of Jpop" thing... She is much more a musician than a diva, while her image is very anti-diva... She is like... the only of those 21st century massive female sellers that is more known for the music than for the image.... Not saying that Ayu and Namie have not good songs and aren't good musicians... But they fame is very fashion and beauty oriented at some extent... Something Hikki eliminated in the begining of her career...
Even so... I think that Namie, Hikki and Ayu are at the "legend" status right now, and that if they stoped their careers today, they alread have their names forever (or for quite a long time) in the history of japanese pop music =) Don't think that Koda did that alread... and I don't really know if she will make it |
#43
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It seems like since there has been a lack of new female artists that are great that the Japanese public can latch onto, they instead went back to Namie, at least temporarily. Also, I don't know if I'd say that Ayu "eclipsed her totally" when she took over the "crown." In terms of record sales yes (though to be fair, Ayumi released a lot more). But I remember how insanely huge Amuro was in the mid 90s - that's actually the time that I was living in Japan and even though I was a child at the time that really didn't know J-pop much at all, even I felt the influence that Namie had over the population then, especially on girls. I think it could be argued, though not scientifically proven, that Namie at her height of popularity was probably more popular than any other j-pop female at the height of theirs. As for Utada, even though she has a lack of releases and tours and what not, she has a strange hold over Japan. Many people would actually place her in a higher status than Ayumi, though I don't agree with that. Quote:
![]() Last edited by SunshineSlayer; 17th April 2009 at 06:49 PM. |
#44
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not even ayumi can surpass "ayumi" anymore.. it's just the way the industry is. 2009 is a different time than a few years ago.
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#45
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for NEWS's case , you seldom see that happened . The only one I can think of is Taiyou no Namida for Yamapi's Kurosagi movie & Yamapi himself sang Daite Senorita solo for the drama other than that ![]()
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#46
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It should be Teresa Teng, by the way. And I would add globe and Miyuki Nakajima, and maybe Mariya Takeuchi and Maki Ohguro if Tomomi Kahala is there, although I think all three are debatable. Quote:
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#47
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I would say Miyuki Nakajima, Maki Ohguro, and Globe are fine.
![]() And yes, Hibari Misora was insanely popular as well and is still very well regarded. |
#48
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SunshineSLayer, + other, thanks for great posts. I think one of the reasons ayumi has seemingly reach another status is due to the heavy online and thus overseas exposure. She's the most known japanese female pop star abroad, I don't really think there's any doubt about that. I don't think that at the time of ayu, there was little competition among female idols/artists though, allthough I must admit I don't know that well jpop in the 80s 70s etc. Looking back, it took som years for ayu to emerge as the number one star among the female idol/entertainers, she didn't reach that status untill maybe A BEST or I am.. at least not in the sales departement. ALlthough they weren't by avex, Ami Suzuki, Mai Kuraki, Utada Hikaru, all the girls of H!P even Rina Aiuchi and there are more I cannot remember right now that would be counted. I don't really know what happened, but sales for most female artists plunged even more than the rest of the CD market shown by the lack of female releases in the yearly oricon. THe "generation" after these huge female sellers didn't achieve the same success (koda kumi, ai otsuka, YUI, ayaka etc) and it's basically in a rut right now. |
#49
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#50
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DAIGO is on the list but AYU and KUU are not?!?
This makes NO sense to me... I'm appalled at whoever compiled this list.
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![]() Thanks to agashi for the killer siggy set!! |
#51
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I already wrote how this list was made - check the first post. It is not made by one person. Sometimes I think foreign forums tend to give a false impression of what is considered currently "in", in Japan. I'm sure that to those that have been in Japan recently or follow lots of variety/comedy shows and the like, DAIGO being on the list shouldn't be that big of a surprise.
Last edited by SunshineSlayer; 18th April 2009 at 12:45 AM. |
#52
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DAIGO is so perfect that he deserves his place a lot xDD
jokes beside (Although his perfection is not a joke xD), Karen´s explanation gives a lot of insight of why DAIGO is so popular |
#53
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nobody's perfect & that goes for DAIGO too . I sometimes WISH that he cut down in doing his trademark WISE pose , it's OK at 1st but it gets a tad annoying after that ![]() & thanks ![]()
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#54
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NO AYU ON #1 = WRONG LIST
as simple as that ![]()
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#55
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Last edited by andre2907; 18th April 2009 at 07:55 PM. |
#56
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Although I think Ayu deserves to be the "Queen of Jpop" since "pop" is very connected to the image, flashy outfits, impressive concerts and PVs and Ayu played that part, while Hikki didn't. But, in the end, I think Utada Hikaru is and was bigger in the Japanese music scene than Ayu. Even in Ayu peak, in 2001, Utada Hikaru outsold her. Last edited by andre2907; 18th April 2009 at 07:57 PM. |
#57
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----- I think the power marriage of Ayaka and Mizushima Hiro will put Ayaka on the map again. OR it could be catastrophic and end her career since all his fangirls will hate on her forever. ----- I think what everyone should realize is that this list is a HUGE sample of the population. All, if not most, of the list is full of people who have appealed to almost every generation. Ayu is a relatively youthful artist who appeals mostly to the younger generation and those around her age. Think about Amuro Namie, who's been around for over ten years, or Utada Hikaru with an unchanging style and famous parents. Then there's SMAP who's been around for 20 years (holy jesus, I saw a book with "20th anniversary" on the cover and freaked out). |
#58
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She's unique in the J-Pop industry, you can't find an female artist like her. She's the only one who's able to pull the image of ero kawaii/ero kakkoi off. The same with Ayu and Hikki, they're unique in their own kind of way. But it's hard to judge all of the careers because all three are still in the industry. It's possible that Kuu gets a hype again just like Namie did, so we can just wait and see. |
#59
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