[ayumi hamasaki TROUBLE TOUR 2020 A(ロゴ) ～サイゴノトラブル～ FINAL」on sale 1/27/2021

[AyuCanada]

There is also a Japanese shipping company called ''WorldShopping'', The shipping is safe and fast but crazy crazy expensive too (and I had to pay customs at arrival in addition). But you can have a look if you are desperate.

Tenso is usually the best.

[RealLight]

Oricon DVD charts

Day 5
General: #8
Music: #4

[RealLight]

Oricon DVD charts

Day 6
General: Out of the top 20
Music: #8

[koumori]

In case no one has posted this yet, I've compared my blu-ray copy to the rip that was streamed and there were no changes aside from obvious higher quality for vocals and visuals. There's no new edits or perspective shots. The longer pauses between songs with no dance interludes (especially the "Ayuready" mix encore part) have been shortened, though.

The only real change was that Max Matsuura was added as an additional producer credit as usual during the end roll, which wasn't there in the stream credits.

[summerain]

Originally Posted by koumori

In case no one has posted this yet, I've compared my blu-ray copy to the rip that was streamed and there were no changes aside from obvious higher quality for vocals and visuals. There's no new edits or perspective shots. The longer pauses between songs with no dance interludes (especially the "Ayuready" mix encore part) have been shortened, though.

The only real change was that Max Matsuura was added as an additional producer credit as usual during the end roll, which wasn't there in the stream credits.

I was wondering about that. This and Natsu no Trouble probably were live pre-recorded shows and they had some little time to edit (maybe a few hours?). It was an awesome job indeed.

[hidekirby]

Wow...

So it adds to the theory that all those amazing 2020 vocals were just due to edit... The Christmas one being the only one live and so it showed vocally-wise.
If there is no new edit on those released lives it means they were made before.

Guys that's quite disappointing if that's the way it is.
Vocals just slightly improved then?

There is still the Ohia no ki Tv performance, but it was also pre-recorded.

[Deep snow]

Originally Posted by summerain

I was wondering about that. This and Natsu no Trouble probably were live pre-recorded shows and they had some little time to edit (maybe a few hours?). It was an awesome job indeed.

To me, the final show seems more obviously pre-recorded than 夏ノトラブル, which seem to stream like a truly live show, but again I'm an amateur.

Originally Posted by hidekirby

So it adds to the theory that all those amazing 2020 vocals were just due to edit... The Christmas one being the only one live and so it showed vocally-wise.
If there is no new edit on those released lives it means they were made before.

Guys that's quite disappointing if that's the way it is.
Vocals just slightly improved then?

There is still the Ohia no ki Tv performance, but it was also pre-recorded.

in 夏ノトラブル, the pitch improvement edit in the BluRay is very noticeable to me compared to the stream—take a listen to WHATEVER–And Then, for example. plus, being a pre-recorded show is by no means a 100% indication that she lip-synched.

I sound like a petty ayu-apologist, but I think her vocals in the lives over the last summer really were improved—by a lot, compared to her continuous yearly TROUBLE tours in the two years prior. apart from 夏ノトラブル, her performance in a-nation, which did not seem retouched to me either (but who knows; maybe it was pre-recorded and heavily edited), were convincingly amazing to me—with little flaws here and there, which were natural.

as for the Xmas show, what I think happened is the usual: vocal exertion from exhaustion. she was heavily pregnant AND preparing for what initially was going to be (1) TWO performances of the Xmas show; AND (2) the CDL.