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· Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
#101
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what u said is just like how i feel!! |
#102
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Spoiler:
I agree with both of these posts. |
#103
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Ayu was involved in a drug scandal????????
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#104
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Secret. more bling, less creativity... it's been 'look at Ayu' rather than 'listen to Ayu' from then on
eventhough, SLT gives me great hopes... i guess RnRC would have been an excellent album if they had had the same inspiration and boldness for the whole album. hoping they will keep it going on for next album. |
#105
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i started being a fan since 2004..so I'm not really familiar with her old works..but i do sometimes listen to the old works, but still I'm not really interested with most of them...except the ones she sang again during the recent concert tours..I kinda like it..but not as much as with the new works..
my favorite albums ever since 2004, are MY STORY, then GUILTY and now Rock 'n' Roll Circus~ there after and before all those 3 albums are somehow, just a so-so album for me..not really spectacular but i don't hate them either..i still enjoy it ![]() from all those 3, my most favorite is absolutely Rock 'n' Roll Circus, I've kept on listening to the album over n over again til now..then also MOON with blossom, specially blossom, i really love this song so much..it really feels nostalgic like her old works (I don't know why still got some ppl not really like it since it really has the old works-feeling but in a better music n vocal) so in consclusion, ayu's music has not yet gown down hill..it's like up and down~ |
#106
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I have to agree. Deep depression means strong rock and dark ballads. My favourite kind of ayumusic. But anyway Ayu never goes downhill. She has ups and downs. Ayu has SUCHH a wide variety of fans, and she has to please all of them. That means she has to make sure she produces all kinds of different music all the time. Thats why sometimes you get a single like Moon / Blossom. Which I totallly do NOT like; and sometimes get an album like RnRC, which is LOVE. She cant please everyone with all releases, you know
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#107
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(miss)understood is really the start of downhill. Due to the wrong decision(using a foreign composer), she began being lack of money to produce high quality music. This can explain why she released A BEST 2 and A COMPLETE in the following years. However, because of the decline of advertisement(partly due to the falling sales), she became taking less care of her body, causing her voice to turn out deep and rough just in a year. While she tried to sing in Rock style to solve this problem, fans' negative reaction and deaf problem even made it tougher. So I think even though she starts to hire some different or mega producer, it's still hard to produce high quality music because of her bad voice now.
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#108
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When I look back on her single choices (excluding Mirrorcle World as it didn't end up on an album) in all honesty there hasn't been a interesting release schedule since m(u). Rule/Sparkle switched things up but it felt like an oddity after Days/GREEN. Quote:
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![]() Agree with all of this and then more. Quote:
![]() Reading it? Try reading it then quoting and replying to the posts you wanted to comment on, lol. ![]()
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Thank you, Mirrorcle Heaven* **~Idororu Rabu~** Koharu Kusumi Tomomi Itano Karin Miyamoto Last edited by Ranma Matsuri; 2nd August 2010 at 09:00 PM. |
#109
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Thank you for all your contributions to the discussion! Even though I don't reply to everyone who posted, be assured that I've read every post
![]() Well, I'm just glad there are people in this day and age that actually read something more than 150 characters ![]() Quote:
![]() Last edited by Uemarasan; 2nd August 2010 at 09:30 PM. |
#110
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#111
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I don't think there was inherently wrong with how Secret was "shaped" - honestly, about half the album needed polishing, but I think working with a deadline had Ayu streamlining her writing process, forcing her to be honest. She unfortunately didn't have the time to get creative and buff the edges. I think she's figured out how to do that in the albums since, culminating in "Rock'n'Roll Circus." I think she's actually tried to learn from experience from the last few albums, and each album since then has been a more complete-sounding version of the one before it in alot of ways. Whether or not that's been a good thing is up to the listener, but it's certainly an entirely different approach from her first few albums.
I genuinely believe that a creative person really only has so much creative energy in them. If you have enough new ideas and momentum to remain interesting for more than about three albums, you're made of magic. Ayu at least lasted four, depending on who you ask. I do think she made it to number four before starting to settle into an "ayu sound," and while she does experiment every now & then, she just doesn't have that much in her anymore, and with every single STILL being number one, she doesn't have a whole lot of drive or reason to change her formula. Even if she did, it would probably come across as too forced. What she's doing now, doing something different only occasionally and when she's moved to do so, results in alot of her material being only decent (by Ayu standards anyway) and only a few songs being amazing. If she waited until she had an album's worth of "amazing", we'd only get an album every 5 years or so. Again, YMMV, but I don't really mind THAT much the way things are going.
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Twitter: @deliriumzer0 Ayumi Hamasaki Song-A-Day 2015 (new ayu wiki site thing, work in progress, don't click yet) |
#112
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@ranma matsuri: in regards to identitys post, that's a quite a bit more than 10%. 14 of those are from the past 2 albums. Which are about 22 total songs if I recall. 22-14 is 8 and tbh I can add more lyrics to lessen that amount and in honesty that is not 10%. more than half
10% of the lyrics in her whole career would be more ballpark In summary, a lot of u guys are really exaggerating on the point of most of her lyrics sounding similar and I question if u just don't take the time to even interpret her messages *sighs* if the lyrics on rnrc, NL, and etc are the same then I can easily go and find similar lyrics in her old albums. Mmm...this. May be my shortest post in this thread ![]() |
#113
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I have yet to read a post in this thread that suggests anyone here sees Ayu as some kind of spiritual guide or goddess. Anyway, I don't see how that's a bad thing in the first place, so long as it is done with self-awareness. For some people, Ayu is much more than someone who is simply putting out music. Her music obviously reaches far deeper than that, and I wouldn't fault anyone for being true to their own personal, unique experience with Ayu. If they feel that her music has in a way saved them or inspired them on how to live, then good for them.
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#114
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Delirium Zero, I didn't say that there was anything wrong with how Secret came together. In fact, it's the last Ayu album that I felt still had strong creative energy. What I meant was that it was the album that seemed to lay down the rules for all that came after. All of the albums since then are divided into three parts: the first half of the album presents an idea or tone (in Secret, it's a sense of hesitation, in Guilty, it's despair, in Next Level, it's energy), then a turning point, a moment of clarity, a catharsis (Jewel, Marionette, Green), then finally a resolution, a reconfiguring, enlightenment. That's basically my problem when I bring up how the albums are "shaped": that Ayu has stayed with this structure all throughout. There is no surprise.
Last edited by Uemarasan; 2nd August 2010 at 10:35 PM. |
#115
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#116
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^Every artist has their main themes, and those themes are going to be repeated over and over again... It's not lack of creativity, just themes that are important to those artists
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#117
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#118
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tbh I'm amazed people are staying as civil as they are. ![]() |
#119
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@Andrenakoi: Of course not. But you have to see the frustration of people who, expected all that out of her, and then...feel they don't get it.
And then they should come to realise just what exactly their relationship was with Ayu, and maybe they won't expect so much. I think this is one of the reasons why Ayu and her music is so special. She has had the ability to reach all of these different people, and all of them have a different relationship with her and her music. It's an interesting thing to think about, considering that everyone here hates when anyone refers to Ayu as a god lol I think that, the more someone understands their relationship with Ayu and her music, and how it affects them and who they are, the more they will steer away from "oh this is going downhill" or "this sucks" or even "this is totally great"...then...it won't matter so much anymore. Although I do think it's nice to be able to discuss the technical aspects of songs and albums and how their relationship to Ayu and the work she's creating...it's not particularly easy, because even there, there are so many opinions. but whatever. Continue ![]()
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☆ bunnnniiiieeeesssss ☆ - The "New Artists You're Trying Out" Thread - |
#120
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Edit: Sorry, emiko posted the same time as I did. And she said it much more eloquently. |
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